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.:Place Hold
Towards an African Canadian art history : art, memory, resistance

Nelson, Charmaine A. editor contributor
Publisher: Captus Press Inc,
Pub date: [2019]
Pages: xviii, 382 pages :
ISBN: 9781553223658

Holdings
MacEwan University Library
  Copy Material Location
N6545 .T69 2019 1 Book On Shelf
University of Alberta - Rutherford Library
  Copy Material Location
N 6545 T69 2019 1 Book On Shelf
.:Place Hold
Towards an African Canadian art history : art, memory, resistance
    Nelson, Charmaine A. editor contributor
.:Place Hold
Towards an African Canadian art history : art, memory, resistance
    Nelson, Charmaine A. editor contributor
Title: Towards an African Canadian art history : art, memory, resistance / edited by Charmaine A. Nelson (Professor of Art History, Department of Art History ande Communication Studies, McGill University, Montreal, Canada).
Publication: Concord, Ontario : Captus Press Inc, [2019]
Copyright date: ©2019
Physical description: xviii, 382 pages : illustrations (chiefly color) ; 26 cm
Content type: text txt
Media type: unmediated n
Carrier type: volume nc
Personal subject: McCarthy, George H.
Personal subject: McDonald, Edith H.
Subject term: Africans--Canada--History.
Subject term: Artists, Black--Canada--History.
Subject term: Slave trade--Canada--History.
Subject term: Slave trade--Canada--18th century.
Subject term: Enslaved women--Canada--History.
Subject term: Black people in art--Photography.
Subject term: Minstrel shows--Canada--History.
Subject term: Artists, Black--Canada--19th century.
Subject term: Women artists, Black--Canada--21st century.
Bibliography note: Includes bibliographical references.
Contents: Part 1: Memory, Nostalgia, and Spectacle -- Chapter 1: "Just Imported and To Be Sold": Creolization and the Slave-Master Relationship n Eighteenth-Century Nova Scotia / Aditi Ohri -- Chapter 2: Exerting and Cultivating Selves: Nineteenth-Century Photography and the Black Subject in Southern Ontario / Julie Crooks -- Chapter 3: "History Could be Taught by Means of Dolls ...": Race, Doll-Play, and the History of Black Female Slavery in Canada / Alexandra Kelebay -- Chapter 4: "Come One, Come All": Blackface Minstrelsy as a Canadian Tradition and Early Form of Popular Culture / Cheryl Thompson -- Part 2: Resistance and Cultural Preservation -- Chapter 5: "The Canadian Inhabitants are Remarkably Fond of Dancing": Reading the African Musicians in George Heriot's 'Minuets of the Canadians' (1807) / Charmaine A. Nelson -- Chapter 6: The Likeness of Fugivity: Transatlantic Considerations of a Canadian Photograph / Emilie Boone -- Chapter 7: Invisible Empires / Deanna Bowen -- Chapter 8: Spiritual Baptist Ritual Garments in Church and Community / Carol B. Duncan --
Contents: Part 3: Institutional Practice -- Chapter 9: From 'Portrait of a Negro Slave' to 'Portrait of a Haitian Woman': The Racial Politics of Renaming Art in Canadian Museum Practice / Charmaine A. Nelson -- Chapter 10: Cricket in Montreal: Visualizing Race, Masculinity, and Community in Nineteenth- and Twentieth- Century Canada / Mercelie Dionne-Petit -- Chapter 11: Visualities of "Difference": De-Constructing Gendered "Third World" Subjects in Representations of Canadian International Aid / Christiana Abraham -- Part 4: Historiography -- Chapter 12: Authoring Belonging: Early African Canadian Fine Artists George H. McCarthy (1860-1906) and Edith H. McDonald (c. 1880-1954) / Adrienne R. Johnson -- Chapter 13: Beyond Parochialism: Telling Tales about Black Activism and Conceptual Art / Krys Verrall -- Chapter 14: Articulating Spaces of Representation: Contemporary Black Women Artists in Canada / Alice Ming Wai Jim -- Chapter 15: Claiming Space: The Development of Black Canadian Cultural Activism of the 1980s and 1990s / Andrea Fatona.
Summary: Towards an African Art History: Art, Memory, and Resistance, is the first book to consoloidate the field of African Canadian Art History. In this book, Charmaine A. Nelson and her colleagues--a group of established and up-and-coming artists, scholars, and cultural critics--argue for an African Canadian Art History that can simultaneously examine the artistic contributions of black Canadian artists within their unique historical contexts, critique the colonial representation of black subjects by white artists, and contest the customary racial homogeneity of Canadian Art History. Challenging the traditional notions of artistic value, this groundbreaking book examines art, artists, and visual and material culture from the eighteenth century to the present, analyzing "high," "low," and popular art across various media, with a focus to offer a new perspective on Canadian Art History--an African Canadian Art History.
Added Entry-Personal: Nelson, Charmaine A. editor contributor
Added Entry-Personal: Ohri, Aditi contributor
Added Entry-Personal: Crooks, Julie contributor.
Added Entry-Personal: Kelebay, Alexandra contributor
Added Entry-Personal: Thompson, Cheryl, contributor.
Added Entry-Personal: Boone, Emilie contributor
Added Entry-Personal: Bowen, Deanna, contributor.
Added Entry-Personal: Duncan, Carol B. (Carol Bernadette), 1965- contributor.
Added Entry-Personal: Dionne-Petit, Mercelie contributor
Added Entry-Personal: Abraham, Christiana contributor
Added Entry-Personal: Johnson, Adrienne R. contributor
Added Entry-Personal: Verrall, Krys contributor
Added Entry-Personal: Jim, Alice Ming Wai, 1970- contributor.
Added Entry-Personal: Fatona, Andrea, 1963- contributor.
ISBN: 9781553223658 (pbk.)
ISBN: 1553223659 (pbk.)
key: 8412572